Metropolitan Museum Of China'S Theme Fashion Show Postponed Time
The Metropolitan Museum of China's theme fashion show will be postponed and the exhibition will be too popular. The critics' "disunity" is the impulse to arouse the public's attention. How beautiful is the fashion on display or how bad the exhibition is? The three weeks have given you lots of opportunities.
Perhaps it is the "Chinese wind" that has been blowing on the red carpet of Met Gala. The opening of the 8 week "China: mirror and water moon" is one of the most popular exhibitions in the history of Metropolitan Museum of Art, thanks to the volume of 35 million passengers, and the result is directly to the record of Alexander McQueen in 2011.
The organizers decided to add 3 weeks' extension to the end of September 7th.
The Oriental Fantasy in the eyes of westerners is unprecedented.
The 16 exhibition halls are three storeys, the Anna Wintour Anna Wintour fashion center and the two floor exhibition hall in China.
The exhibition uses objects, photographs, movie clips, costumes and acoustooptic effects to illustrate the impact of Chinese culture on Western fashion.
Among the 140 sets of advanced garments related to the Chinese theme, the last robe worn by Pu Yi, the last emperor of the late 1951, was made in 1951 by the use of calligraphy and pattern fabrics, and Alexander McQueen was launched in 2006, autumn and winter. It was a silk silk brocade dress, Ralph Lauren design 2011 autumn winter series evening dress, Chinese designer, Christian
Laurence Xu
The Dragon Robe designed for Fan Bingbing...
Among them, we can not escape from several Chinese elements: Dragons, Phoenix, calligraphy, blue and white porcelain, Dahong and Dajin.
Andrew Bolton
Explains: "for hundreds of years Western designers have been inspired by Chinese culture and movies, but sometimes they do not really understand these symbols."
Just like the exhibition name "China: mirror and water moon", "Alice's Adventures in Wonderland", "in the exhibition, those fashion designs reflect China is also full of fiction and imagination."
Bolton said at a news conference in New York: "you will feel lost when you visit the exhibition, because there is a fundamental bias in the West's understanding of China."
As for the Western collective fantasy, the reaction of critics is different.
There is a great deal of interest in the design of the Chinese style works.
Fashion director of information website Refinery29
Connie Wang
The whole exhibition is summed up as "deep thinking".
In the eyes of Holland Cotter, an art critic of New York Times, at best, it can only be regarded as a popular fashion marketing.
He wrote in the article: "it could have been a more delicate and delicate exhibition, but the metropolis completely blew it up."
He cited another example: the metropolis built the bamboo forest with white plastic pipes and garbage dump, and the fake models were placed in front of the high peak Buddhist art hall, which was inspired by Chinese martial arts costumes and appeared "neither fish nor fowl".
At the end of the article, Holland Cotter wrote, "the purpose of this exhibition is to reach the distance between fashion and art, but the difference between these two areas is also highlighted."
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