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The Glory Of Guo Chunhui, A Beijing Opera Costumer

2011/8/30 10:15:00 51

Guo ChunhuiA Beijing Opera Costumer


  


 

 


Guo Chunhui, Beijing Opera Troupe, Beijing Opera Troupe Fashion Designer His father, Guo Qishan, followed Mr. Chang all his life. He was once a plum in the name of Mr. Li. Overcoat Guo Chunhui, who has inherited his father's career, has worked silently for 30 years in this often forgotten but indispensable position. In the backstage, everyone is used to calling Guo Chunhui "six elder brothers", and the most often said to them is "six elder brothers, what to wear today?" last Friday, the reporter followed Guo Chunhui from 9 to 11 in the evening, and witnessed the tense and orderly state of the work which was known as "trunk" technology in the past.


That day was the last day of the "2011 young Peking Opera (Invitational) invitational tournament" competition day, although the performance was 2 p.m., and it was only an hour long drama, and the actor had to arrive at the theatre near noon. But at 9 o'clock in the morning, Guo Chunhui appeared in the backstage of the Grand Theater, and the background was empty. He first took out the costumes from the box and smoothed up the wrinkles. After more than an hour, the costumes of the main actors were all hung on the hangers, and the supporting actor's clothes were neatly placed on the operating platform outside the dressing room.


The evening performance will be accurate. Time dispersion The actors removed their makeup and left, but Guo Chunhui had to fold up the clothes and sort out the boxes. At the end of the day, the props set up, including costumes, were to be returned to the theatre. At 11:10 in the evening, Guo Chunhui walked out of the China drama theater. Guo Chunhui said, even if there is no performance, he will go to the unit, put out the clothes in the cupboard one by one, rearrange it, and dry the sun every day, and see that there are stains on the sleeves to remove the water, though it is very tedious, but he enjoys it. He said: "the corner is" waiting for the audience "on the stage, and we are" waiting for the corner ", in the final analysis, are for the audience.

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